Susana Garcia

An exploration of my misaligned relationship with gender and socialization since childhood. I am sitting cross-legged in a princess costume I wore for Halloween around 5 years old. Featuring my suspiciously acquired plushies and my haunted collector's doll, Debbie.

Donated commission for Stareyed-Sama. A scene from their written work featuring their character, Millions. Lovesick log kicking.

An object(?)-constructed self portrait in the style of Archimboldi.

Painting based on the sound of the Final Fantasy VII song, "Under the Rotting Pizza."

A gift for a friend.

Design concepts for the main three characters of Monster High (Garrett Sander, Mattel). Left to right: Frankie Stein, Clawdeen Wolf, Draculaura. Styled with a semi-retro background.

Internet urban legend Smile Dog (smile.jpg) by Michael Lutz. If you receive an email containing the image, you must pass it on a la chain mail or suffer the psychological consequences.

Generation 2 Monster High villain, Moanica D'Kay. A radicalized zombie who seeks to rid the world of humans, putting monsters on top—a failure of character writing who unfortunately captured my heart.

A woods-dwelling serial killer who has seceded from society, burying the bones of institution administrative figures as meal for her garden. Is known to mail the dismembered bodies of family members to those figures as well, as a way of intimidation or just a good laugh.

My part for the unfinished DeadEndia MAP, to the song "Next Year" by Two Door Cinema Club. The comic and its Netflix adaptation, Dead End Paranormal Park sparked a fan community of writers and artists who appreciated its candid queer, culturally diverse and neurodivergent representation that was baked into the plot and relationships of the story. My part imagines the possible evolutions and adult designs for the four main human characters as they return to the titular theme park.